Davaoeno Chud Festejo: Philpop 2018 Champion

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PhilPop 2018 Concludes With A Better Definition of OPM Creative, expressive, passionate

A young songwriter from Davao, Chud Festejo has a curious opinion for the popular children’s clapping game Nanay, Tatay. Why does the chant make the children sound demanding? Convinced that there is a bigger reality to be addressed, he started writing a song that will then win the hearts of the judges and the crowd of PhilPop 2018.


Nanay Tatay, written and performed by Festejo, was the winning piece that hailed him the Grand Champion among the ten finalists who competed during PhilPop Finals Night 2018 on December 2, 2018 held in Capitol Commons, Pasig City.

“Of course, happy. Kahit na sa 30 songs, andaming magagaling. Ngayon, I still can’t explain how I feel,” Festejo shares, acknowledging the tough competitors he had during the contest run. Festejo won the grand prize of P1 Million Pesos. Nanay Tatay is a song that talks of the “innocence and vulnerability” of child beggars—naive of the world they live in, and susceptible to the harm society might inflict to them. The song gives off a dark feeling, arranged with an eerie “horror” scoring combined with a horrendous social situation for a message. “Kinonek ko ‘yong horror na feeling and ‘yong social situation na nakakatakot ‘pag nandoon ka,” Festejo says. “Hindi sya sung usual eh. Andaming mga strong performances. But the performance (of Nancy Tatay) was still really strong, as in I got teary-eyed listening to it. It was a sure won for me. I was happy na, apparently a lot of people like it.” Veteran artist and composer Ms. Trina Belamide, who is among the roster of judges, expressed her delight with the result.

Nanay Tatay also won the Maynilad Best Music Video with the direction of Ryan Evangelista. The 1st Runner Up for the competition was Ferdinand Aragon, with his love song ‘Di Ko Man, which he, too, himself interpreted. The song, written in Bisaya, is a “contemporary harana”. As Aragon explains, “I just wanted to write a Bisaya song that people can use to sing to their loved ones. They can use it in their weddings, so the song really is a very pure and innocent love song.”
As for 2nd Runner Up Jek Buenafe, the experience can be only described in one word: “surreal.” His composition “Ako Ako” was interpreted by his own band, Feel Day, featuring Hans Dimayuga. Aragon and Buenafe received P500,000 and P200,000, respectively. On the other hand, ‘Yun Tayo’s songwriter Donna Onilongo, along with interpreter Gracenote, bagged the Smart People’s Choice Award. Selected by the Pros Prior the event, a pool of distinguished and most respected songwriters, music educators, and practitioners rated the quality of melody, lyrics, lyric production, and overall brilliance of the compositions that constitute 40% of the scores. The other 60% was determined by the ratings given by the competition’s distinguished judges, by the following criteria: (1) excellent craftsmanship in lyrics, melody, production, and performance, and (2) unique qualities and universal appeal to create masterpieces that can stand the test of time. The roster of judges include Mr. Verb Del Rosario, Vice President for Viva South; Ms. Trina Belamide, artist and veteran composer; Ms. Liza Diño-Seguerra, Chairperson of the Film Development Council of the Philippines; Mr. Randy Estrellado, COO of Maynilad; Mr. Noel Cabangon, PhilPop Board Member; Mr. Paolo Guico, Vocalist of Ben & Ben; and Mr. Ryan Cayabyab, PhilPop Music Festival 2018 Chairman. The passionate effort of the country’s circle of musical personas in selecting the rightful winners is what makes Philpop 2018 stay true to its promise of bringing out the next best artists in the OPM scene. Mr. Noel Cabangon shared how the judges go through the process of deciding which the best. “Ang music kasi very subjective. Meron ka dyang tinitingnan, like ‘yung craftsmanship, ‘yung paggawa ng kanta, ‘yung lyrics, and then kung bagay ba ‘yung music, and of course ‘yung performance din, sa live performance. But on the overall, syempre pag nagjajudge ka, ano ‘yung tama sayo, ‘yung dating sayo nung kabuuan ng music. Kasi ang music naman, una, bago natin intindihin yung lyrics, pinapakiramdaman natin ‘yung music. And then saka natin binabalikan ‘yung lyrics. And then of course you analyze it, tapos makikita mo naman kung pano nagdedevelop ‘yung melody doon sa kanyang story telling.”

A Festival of Linguistic Diversity in Music One remarkable thing that made PhilPop 2018 exceptional is opening its doors to regional music. PhilPop 2018 has defined the beautiful diversity of the OPM genre—recognizing musical masterpieces written in varied dialects like Bisaya and Hiligaynon, and marking the expansion of opportunity for musical artists from different parts of the country to be heard and appreciated.
“It’s really something big [for the regional music scene].

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